TOMORROW NEVER COMES (9 minutes, black and white, 1969. Made by Edgar Sanchez, aged 16.) A teen-aged boy watches helplessly as his girl is struck down by a car. A friend tries to console him with a drink. Later the despairing teen-ager takes marijuana from the friend, and still later is seen injecting heroin. His own death from drugs is implied at the end of the film. A moving study of adolescent self-destruction, the film could be used with young people to open up discussion of this aspect of drug use
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